We have to be real with ourselves. So that was dope to know that he was into my music just as much as I was into him. But the whole King of New York thing, that's small thinking to me.

With Dennis Rodman and Marilyn Manson at his side, Ferg's feet are planted on the courtside floor. What was his reaction to hearing the song? Do you think something like that could ever happen in rap? As an artist, you want to sharpen your sword with these other artists who have an energy that is dope to connect and combine with. You start doing that one leg dance and throwing your fist in the sky like Pop Smoke.

That's Dennis. Marilyn Manson is of course the eccentric rock legend who also makes an appearance on the track, serving primarily as a hype man. What makes Floor Seats II different from every other project you've released? Both of us are super inspired by Dennis, and of course the millennials and the people after us are inspired by Dennis, too. in Atlanta and we reached out to Marilyn Manson. [Laughs].

I was following him on Instagram and following Fivio and just the whole movement. The concept is dope, so I wanted to keep it going.

People talk about the King of New York a lot, and everyone's saying the throne is up for grabs right now.

When we met up at the studio, he had all of these rockstar stories. he points out. That song came about a year and a half ago. I made the song with C.N.O.T.E. Man, he loved it. And I don't fault them for that. Let's talk about the single, "Move Ya Hips" with Nicki Minaj.

I just want to influence and motivate people in a dope way. Tyga actually had a song for me to jump on, and it was the "Dennis Rodman" record. She heard my verse and then we figured out what we had to do on the second verse. Speaking with Ferg, you get the sense that he's entered a new, more focused chapter of his career. “Pop Smoke and his crew and the air around it was super urgent. I thought it was cool that you incorporated drill sounds on songs like "No Ceilings" and "Aussie Freaks." MARILYN MANSON es una canción de ASAP Ferg y Marilyn Manson del año 2020, este tema está incluido dentro del disco Floor Seats II.

I don't fault them for that.

I'm like, oh shit! You get to a place where you'll be like, I don't want to be left out.

He's been an influence of yours for years, right?

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We finally got into the booth and he did his thing on it. I'm not sure if you've experienced floor seats at a game, but this is what that is. There was a lot of noise surrounding ASAP Ferg before the release of his new project, Floor Seats II. On "Hectic," you rap about how you wrote the song during quarantine. And it's an energy booster. I don't know who gave them that information. We've all dealt with being harassed by the cops and police brutality. I mean, besides George Clinton or something like that. You've also got a song on here called "Dennis Rodman." But I wouldn't say that drove the song. I actually wrote that song before the whole Black Lives Matter thing started going crazy.

A$AP Ferg ft. Marilyn Manson Marilyn Manson Lyrics: [Marilyn Manson & A$AP Ferg] Yeah (Yeah) Ah-ah-ah-ah (Honorable C.N.O.T.E.) Just bridging the gap between Wayne and Jay Gwuapo, who is one of the newer artists coming up.

What did you guys talk about? It was crazy. Yeah. Then I saw he was following me on Instagram and I wasn't following him back.

Despite Nast's messages, though, questions about the state of the ASAP Mob persisted. What did you think of the whole Brooklyn drill movement in New York these past couple years? She's hard on herself. I just feel like that was the next level for me. ", Ferg is similarly disinterested in provoking Nicki Minaj fans. ), crazy like Marilyn Manson, I want the Ferrari and mansion, I want the Cartier dancin' (Yeah)I wanna just party in Hamptons, crazy like Marilyn Manson (Yeah)Bitch, I'm so sorry I'm handsome, dippin', dodgin' in the PhantomI be joggin' from the cameras, crazy like Marilyn Manson (Yeah)I be mobbin' in Atlanta, stripper bitches call me SantaJiggy ni*** throw the bread up, crazy like Marilyn Manson (Yeah)Oh, these police got me fed up, I'm lookin' at 'em, "Nigga, yeah, what?" That's his attitude about it. It comes from a very tough place, but there's also a lot of dancing in it.

What were your motivations behind that song? “I don't have any updates about the Mob right now, as far as any music and stuff. Then we chose that one because that's what the people wanted.

But if it affects us enough, yes, I could see that happening and also being effective, for sure.